[.tldr-section]TL;DR Definition:
The falling action in a story is everything that happens after the climax but before the resolution. It shows the consequences of the climax, ties up loose ends, and gives your audience emotional closure before the final scene.[.tldr-section]
What Does Falling Action Mean?
If you’ve ever finished writing a big, dramatic climax and thought, “Now what?” — congrats, you’ve reached the falling action.
The falling action is the stretch of your story where things settle down. It’s where characters (and the audience) process what just happened. The tension starts to ease, and the story begins its descent toward the ending.
In basic terms, falling action in a story bridges the explosive moment of the climax and the calm, reflective space of the resolution. It’s the storytelling equivalent of catching your breath after sprinting up a hill.
If the rising action builds momentum, the falling action brings understanding. This is where your characters face the outcomes of their choices — good or bad — and start to realize what those choices truly mean.
Why the Falling Action Matters More Than You Think
Most writers focus on crafting an amazing climax (and fair enough, that’s where the fireworks happen). But what happens next is just as important.
Here’s why the falling action of a story deserves your attention:
- It helps your audience process the climax.
You can’t drop an emotional bomb and walk away. Falling action lets everyone breathe, reflect, and understand what the climax meant. - It reveals change.
This is where your protagonist starts to realize how they’ve grown. - It ties up your loose ends.
The falling action makes sure your subplots, conflicts, and character arcs have closure before the final scene. - It sets up the emotional tone of your ending.
Whether your ending is bittersweet, tragic, or triumphant — falling action determines the emotional landing.
Without falling action, stories end too abruptly. Your audience feels like they’ve tripped over the finish line instead of crossing it.
What Is the Falling Action in a Story (And How It Fits in Freytag’s Pyramid)
In Freytag’s Pyramid, the falling action is the fourth stage of plot structure — right after the climax and before the resolution.
Freytag’s stages:
- Exposition
- Rising Action
- Climax
- Falling Action
- Resolution

Think of the falling action as the slope that brings your story down from its emotional peak. It’s the “what now?” phase where your character deals with the aftermath.
In visual terms:If the rising action is the climb up the rollercoaster and the climax is the drop, the falling action is that slowing glide back to the station. The thrills are over, but the ride isn’t done yet.
How to Write Falling Action in a Story
Here’s a simple framework to make your falling action meaningful — not just filler.
Step 1: Show the Consequences
The climax changed something big. Now show the ripple effects.
Who was hurt, saved, or transformed?
Your protagonist should be reacting to what happened — emotionally, physically, or both.
Example: In The Hunger Games, after Katniss and Peeta defy the Capitol, the falling action shows their uneasy return home, hinting that victory came with a cost.
Step 2: Answer the Big Questions
Tie up loose ends. If you raised a mystery, conflict, or subplot earlier, this is the time to resolve it. Don’t leave your audience wondering what happened to that side character who disappeared in Act 2.
Example: In Knives Out, the falling action reveals how Marta gets away with it — and shows the emotional aftermath of the mystery’s resolution.
Step 3: Reflect and Rebalance
Give your characters space to reflect. Falling action isn’t about adding more chaos — it’s about emotional recalibration.
Ask:
- What has my character learned?
- What did they lose or gain?
- How is the world different now?
Example: In The Return of the King, Frodo’s falling action scenes show him struggling to return to a “normal” life — proving that heroism always leaves a mark.
Step 4: Guide Toward Resolution
Lead naturally into your ending. The falling action of a story shouldn’t feel like a sharp drop; it’s a gradual descent into closure.
Example: In Pride and Prejudice, the falling action includes Elizabeth and Darcy finally understanding each other, clearing the last bit of tension before the resolution of their engagement.
Quick Checklist:
- Show emotional and physical consequences
- Resolve lingering questions or subplots
- Reveal the protagonist’s change
- Ease tension gradually
- Connect cleanly into the resolution
- Leave your audience emotionally satisfied
Falling Action Examples Across Genres
- Fantasy: Harry Potter and the Sorcerer’s Stone – After the climax (Harry vs. Quirrell/Voldemort), the falling action shows Harry in the hospital wing and the House Cup celebration — closure after chaos.
- Romance: The Notebook – After the emotional climax of Noah and Allie’s reunion, the falling action slows as they reflect on their love and what they’ve endured.
- Mystery: Gone Girl – After the shocking twist (Amy returns), the falling action explores Nick’s moral paralysis — showing the cost of staying in a toxic relationship.
- Horror: Get Out – After the final escape, the falling action delivers catharsis as Chris is rescued — a release of the movie’s relentless tension.
- Memoir: Educated by Tara Westover – The falling action focuses on her reconciliation with her past and the emotional weight of leaving her family behind.
How Long Should the Falling Action Be?
There’s no set rule, but it should be as long as your story needs to feel complete.
- Short stories: 1–2 paragraphs may be enough.
- Novels: 1–3 chapters of falling action isn’t uncommon.
- Screenplays: Usually 5–10% of the total runtime.
If your falling action drags, tighten it. If your ending feels rushed, expand it. The key is emotional pacing — your audience should feel closure, not confusion.
Can You Skip Falling Action?
Technically, yes — but it’s risky.
Skipping the falling action in a story can make your ending feel abrupt. Your audience might understand what happened but not why it matters.
You can get away with skipping it only when:
- The story ends on a cliffhanger for a sequel.
- The climax and resolution occur almost simultaneously (common in short thrillers or comedies).
But for most stories, skipping falling action is like leaving a concert before the encore — you’ll miss the emotional payoff.
Common Mistakes to Avoid
- Making it pure exposition. Don’t turn falling action into a recap. Let the consequences unfold naturally through scenes.
- Adding a second climax. This isn’t the time for new twists or battles. The falling action is the cooldown.
- Rushing the closure. Give emotional arcs room to breathe.
- Ignoring subplots. Every thread you started needs at least a nod here.
Falling Action vs. Resolution
Writers often confuse these two, but they serve different functions:
Falling Action:
- Happens right after the climax
- Focuses on consequences and reflection
- Shows how things begin to settle
Resolution:
- Happens after the falling action
- Focuses on closure and finality
- Shows how things end for good
Think of falling action as emotional digestion — and resolution as the final goodnight.
How Storyteller OS Can Help
Planning falling action scenes is easier when you can see how they connect to your climax and resolution.
The Storyteller OS helps you map out every part of your plot — rising action, climax, falling action, and resolution — in one visual Notion system.
It’s like giving your story a GPS so you never lose track of where you are on the narrative slope.
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FAQs About Falling Action
What is falling action in a story?
It’s the part of the story that happens after the climax and before the resolution, where tension decreases and consequences play out.
What does falling action mean?
Falling action means the story is winding down — your characters are processing the climax and moving toward closure.
What comes after falling action?
The resolution, where you tie up loose ends and show the final state of the world and characters.
Can a story have multiple falling actions?
Yes. Complex stories with multiple plotlines may have small falling action moments after each climax before the overall resolution.
How do I know when my falling action is done?
When your audience feels the story is emotionally and logically complete — and no major questions are left hanging.
Final Thought
The falling action isn’t just a cooldown — it’s where your story means something.
It’s the difference between a loud finale and a satisfying one.
So before you rush to “The End,” take a moment to let your story exhale.
Your audience will thank you for it.


