If your character says they’re kind, I don’t believe them. But if they leave an umbrella behind for someone else? I’m in.
That’s the magic of indirect characterization: your audience figures it out on their own. No labels, just behavior.
And when you pull it off, your characters start living off the page.
TL;DR
- Indirect characterization is about what your character does, not what you say.
- Use action, dialogue, thoughts, appearance, and others’ reactions.
- Show contradictions. Let the audience draw their own conclusions.
- It’s way more engaging (and memorable) than just listing traits.
What Is Indirect Characterization?
Indirect characterization is how you show your audience who a character is without spelling it out.
Instead of saying "Leo is selfish," you show Leo cutting in line, dodging his mom’s calls, and pretending to forget his roommate’s birthday.
That’s the good stuff. That’s the stuff we feel. And it sticks.
Direct characterization tells. Indirect characterization reveals. You want to be in reveal mode.
The 5 Classic Methods (aka the STEAL Method)
Speech — What do they say? How do they say it? Do they lie? Ramble? Interrupt?
Thoughts — What’s going on in their head that others can’t see? Are their thoughts consistent with what they do?
Effect on Others — How do other people react around them? Do they admire them? Avoid them?
Actions — What do they do when the pressure's on? Or when no one’s watching?
Looks — Do they dress sharp to impress? Or hide under hoodies and unwashed hair?
Each category gives your audience a new clue about who your character is. Use more than one.
Use Dialogue Like a Window
Dialogue is one of the sneakiest ways to reveal character.
Does your character talk like a know-it-all? Are they nervous around certain people? Do they let others finish a sentence?
Let their words say one thing while their tone says another.
[.ai-prompt]Use this AI prompt to help you out:
“I'm want to convey my character as [insert personality trait]. Give me ten ideas to use dialogue or body language to subtlely convey this personality trait in a scene.”[.ai-prompt]
Make Thoughts and Actions Clash
Contradictions are where things get interesting.
If your character thinks, "I’m done with him," but still texts him at midnight—that tension reveals way more than a simple statement ever could.
Let the disconnect between their thoughts and actions show us they’re struggling, changing, lying to themselves.
Use Reactions from Others
How characters are treated can tell us just as much as what they do.
Do kids hide when she walks by? Does her boss roll his eyes every time she speaks?
Those reactions are gold. They help paint a social picture around the character—whether or not they’re aware of it.
Dress for the Inner World
Clothing, appearance, grooming—these are character choices, even if your character doesn't realize it.
A scuffed leather briefcase. A new haircut right after a breakup. Greasy bangs hiding a black eye.
These kinds of details give us quiet insights into a character’s state of mind or priorities.
Examples That Nail It
To Kill a Mockingbird
Scout sees Boo Radley as a monster. But we feel the truth long before she does.
It’s in the blanket he places around her shoulders, the carved gifts left in the tree. Not a word spoken. Still: undeniable humanity.
The Great Gatsby
Gatsby’s house, his clothes, his parties—they all scream one thing: Look at me.
But what does it really show? A man desperate to be loved. That’s indirect characterization in full force.
The Hunger Games
When Katniss hugs Prim and volunteers as tribute, she never says, “I love you so much I’d die for you.”
She shows it. And we know it.
When It Backfires
Indirect characterization is powerful, but it has a dark side:
- Too subtle and your audience misses the point.
- Too inconsistent and your character seems confused, not complex.
- Too much reliance on one method (like just describing looks) and it feels flat.
Balance is everything.
A Tool That Helps You Build Better Characters
Use the Ultimate Character Builder to brainstorm, shape, and track indirect character details that grow over time.
It’s packed with prompts, backstory tools, and personality layers to help your characters feel alive—without over-explaining.
One Last Thing Before You Go
The best characters don’t tell us who they are. They prove it.
Let your audience be the detective.
And when in doubt, stop describing the trait—and show us the moment it costs your character something.
[.ai-prompt]Use this AI prompt to help you out:
"Give me a list of small character actions that could imply someone is jealous without using the word jealous."[.ai-prompt]
