Every writer thinks they’ve nailed their dialogue—until they read it out loud.
Suddenly your tough hero sounds like they're auditioning for a daytime soap. Your romantic lead just said something that would get laughed out of a high school drama club. And somehow, every character is speaking like they’re reading from the same generic script.
In all the stories I’ve studied, dialogue is the thing that separates stories that feel alive from the ones that fall flat.
Writing dialogue isn’t just about sounding clever. It’s about making your characters real, your story move, and your audience care. Let’s break it down.
Why Dialogue Matters More Than You Think
Dialogue isn’t just characters talking. It’s how your audience hears motivation, conflict, backstory, and emotion—all without you stepping in to explain.
Bad dialogue makes your characters sound like exposition machines. Good dialogue makes them feel like people.
Dialogue that works doesn’t just say things. It does things.
It builds tension. It reveals secrets. It creates friction. Even silence—if written well—can shift the entire tone of a scene.
Or as screenwriter Aaron Sorkin puts it: “Good dialogue illuminates, it doesn’t explain.”
What Great Dialogue Actually Does
Here's a breakdown of what 5 roles dialogue should always serve:
1. Reveals Character
The way someone speaks shows who they are. Are they direct or evasive? Snarky or formal? Honest or playing a role?
Characters should have distinct voices. If you covered up the names in your script, you should still know who’s speaking.
2. Pushes the Plot Forward
Great dialogue doesn’t just sit there.
It leads to decisions. It plants seeds. It changes the relationship or goal or tension level in some way. Dialogue should leave the scene in a different place than it started.
3. Builds Conflict
The best conversations are arguments in disguise.
Even when characters agree, there’s subtext, power shifts, or underlying tension. That friction keeps things interesting.
4. Hints at Theme
Without hammering your audience over the head, dialogue can weave in the ideas your story is really about.
A casual line like “Some things are worth breaking the rules for” can carry your theme farther than a whole monologue.
5. Shows Subtext
People rarely say exactly what they mean.
That’s where subtext lives—and that’s where great dialogue thrives.
How to Craft Distinct Character Voices
If all your side characters sound like the same slightly sarcastic podcaster, it's time for a rewrite.
Think of character voice as a combo of:
- Personality: Nervous? Blunt? Dramatic?
- Education / Background: Would they say “furthermore” or “nah”?
- Pace + Rhythm: Long-winded rambler or short bursts?
- Slang + Syntax: Do they say “gonna,” “going to,” or “shall”?
Test: Write a single scene with multiple characters without dialogue tags. Can you tell who’s speaking just from the way they talk?
Dialogue That’s Too Clean Is Too Boring
Real conversations are messy. People interrupt. Change subjects. Dodge questions. Trail off. Start again.
Make space for that chaos.
When I read the dialogue in Fleabag, I noticed how it danced. One character is deflecting while another doubles down. No line is wasted. No line is just “Hi, how are you.”
Cut the filler. Keep the friction.
Tools to Make Your Dialogue Better Instantly
- Use contractions. No one says “I do not know.” They say “I dunno.”
- Avoid on-the-nose lines. If your character says exactly what they feel, it’s probably wrong.
- Add action beats. A shrug, a glance, a slammed door tells us more than a line ever could.
- Read it out loud. If it sounds weird in your mouth, it’ll sound weird in your audience’s head.
- Use silence. Sometimes what isn’t said says the most.
My Favorite Trick: Tactical Interruptions
People rarely let others finish a full thought before jumping in. Let your characters do that too.
“Wait, I’m not—”
“No. You never listen.”
Interruptions add tension, show power dynamics, and make scenes feel alive.
Try it in your next scene rewrite. You’ll feel the difference immediately.
Dialogue Isn’t Just Talking—It’s Acting
Your characters are performers. Each line they say is a choice.
So what are they trying to get?
As I’ve seen over and over in the stories I’ve broken down, good dialogue = a character pursuing a goal. Even if that goal is just to win the argument or dodge a topic.
“Every character should want something in every scene, even if it’s just a glass of water.”
– Kurt Vonnegut
What I’ve Learned from Analyzing Great Dialogue
After digging through scripts, novels, and scenes I’ve loved for years, here’s what I keep coming back to:
- The best lines are short.
- The best moments come when characters don’t say what they mean.
- The best scenes move because of what’s said—not just during what’s said.
And the ones that stick with you? They all have subtext. Always.
Final Tip Before You Write Your Next Scene
Treat every line like it matters.
If it’s not adding tension, character, theme, or movement… cut it.
You’ll thank yourself later—and your audience will stay hooked longer.
Bonus Read: Want to learn how to build momentum in your scenes around dialogue, not in spite of it? Check out this post on How to Improve Story Pacing.
